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EVENTS

February 7, 2017

Time: 7:00 p.m. [- 10:00 p.m.

NARIP Film/TV Music Supervisor Pitch Session w/Kasey Truman

 

Intimate Pitch Meetings with Top Music Supervisors

Jump to registration below, click here.
 

WHEN

Tuesday, February 7, 2017
6:30 p.m. – Registration and networking
7:00 p.m. – Program begins
8:15 p.m. – Break
10:00 p.m. – Program ends

WHERE

SAE Institute of Technology
6700 Santa Monica Boulevard, 2nd Floor
Los Angeles, CA 90038
Tel: 323-466-6323

CROSS STREETS

Santa Monica and Las Palmas.
Enter lot from Las Palmas.

NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT

If you can’t be here in person, at most locations we can accommodate pitching via
Google Hangout, or we can present material and provide the guest music supervisor’s
feedback to you directly. If you have questions about this, please call or email us at
818-769-7007 or info@narip.com.

WHO SHOULD ATTEND

  • Artist Managers, Producers & Artist Reps
  • A&R, Artist Development and Marketing Executives
  • Record, Distribution & Music Publishing Executives
  • Anyone seeking placement opportunities in film and television

PER-SESSION, PER PERSON COST

$269 NARIP Members *
$349 Non-Members

* Available to Professional and Executive NARIP
Members only (not to monthly members). 
Members please log in to receive discount. 
NARIP reserves the right to refuse admission to anyone.

2 WAYS TO REGISTER

1. Online: NARIP.com (just scroll down)
2. Phone: 818-769-7007

Pre-paid admission guarantees seating, NARIP Sessions sell out.
No refunds. We appreciate your cooperation.

FOLLOW US, LIKE US, LOVE US!  TWEET ABOUT NARIP
& OUR EVENT!

QUESTIONS

Call us at 818 769 7007 or email info AT narip DOT com.

SOURCES FOR MORE INFO
Chop Shop Music Supervision
NARIP

WHAT TO EXPECT AT A NARIP MUSIC SUPERVISOR SESSION:

PREPARATION IS KEY

NARIP Music Supervisor Sessions are limited to an enrollment of just 16 people.  About one week prior to NARIP’s Session, all registrants will get a brief of the guest supervisor’s then-CURRENT music needs. Each registrant will have a chance to pitch in response to the music briefs provided and get immediate feedback to music pitched. Each participant must submit 7 songs (MP3s only please) 36 hours prior to NARIP’s Music Supervisor Session. Please note that due to time constraints you will only be able to pitch your TOP 3 songs for consideration and immediate feedback (more, if time permits). This process takes the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and re-submit, which creates a much higher probability to get them licensed (choose well!).

If you do not have music that matches the current needs of the supervisor, fear not! You can still attend and present the top three songs in your catalog.  Make sure the songs are unique and captivating. This is helpful because a music supervisor’s needs change constantly. To optimize impact of music you pitch at NARIP’s Music Supervisor Session, we highly recommend that you target the briefs. Good luck and see you there!

BEFORE NARIP’S PITCH SESSION:

  • NARIP prepares a one-sheet for each participant including your photo and bio for the guest music supervisor to use and review at the event, and to take with him after the event.  We will request your photo and bio one week prior to the event.  In preparing these materials, we recommend you focus on brief career highlights in your bio and have a professional photo available.
  • Approximately 5 to 7 days prior to NARIP’s Session, you will be sent a project brief describing several cues needed for a current project(s) of our guest speaker.  These often include reference songs or links so that you can hear exactly what he seeks or needs to replace.
  • You will submit your tracks with writer, publisher and other rights holder information that will also be supplied to the music supervisor during and after NARIP’s Session.
  • You will get submission and meta-tagging guidelines, and mentoring as to how best to prepare your music for submission.

DURING NARIP’S PITCH SESSION:

  • You will get to play at least three songs (sometimes more, if time permits) for the guest music supervisor who will provide feedback to you for each one.
  • NARIP moderator asks very specific questions to help participants learn and understand how to modify their tracks to make these more place-able for the guest supervisor’s specific needs at hand.

AFTER NARIP’S PITCH SESSION:

  • NARIP provides guest music supervisor with participant one-sheets and all music from NARIP’s Session, including notes detailing the guest music supervisor’s interest in specific tracks.
  • If requested by guest music supervisor, NARIP conveys additional tracks, remixes, instrumentals etc. to him.
  • If approved by guest music supervisor, NARIP provides his contact details to registrants.

DON’T GET LOST IN THE CROWD: SMALL IS THE NEW BIG

NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 600 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest.

ALMOST 600 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS

Our small format works! NARIP Session participants have placed almost 600 tracks as a direct result of NARIP Music Supervisor Sessions.  Other benefits include new publishing deals for NARIP members, creative collaborations and co-writes, strategic introductions to other music supervisors and placement experts, new representation for composers and much more.

NARIP’S BIGGEST PLACEMENT TO DATE : VODAFONE

Click here to read about NARIP’s biggest placement to date in a Vodafone campaign (Oct 2014) that paid handsomely and launched a career.  Other brand placements include McDonalds and AT&T ads, among others.

Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below.

ABOUT KASEY TRUMAN

Kasey Truman has worked in the music business since 2004, getting her start with independent music supervisor Mary Ramos as her Assistant turned Music Coordinator. In 1997, she landed at top music supervision company Chop Shop where she has worked on ground-breaking series Grey’s Anatomy as well as iZombie, The Catch, Hart of Dixie, Supernatural, Gossip Girl, Chuck, Mad Men, Private Practice, Suburgatory, Selfie, The Twilight Saga films, The Perks of Being a Wallflower, Veronica Mars and others. Hailing from Sierra Madre, she enjoys hanging out with her dog and two cats, catching up on Netflix and exploring LA in hopes of finding the perfect breakfast. Kasey graduated with a degree in Psychology from Duke University and has a Masters Degree in Sport Psychology from Cal-State Fullerton.

Come meet this career-maker.

NARIP. Career acceleration.
Get connected. Stay connected.

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