![]() • Royalties Manager (NY)
• VP Latin, BMI (LA)
• Executive Assistant, BMI (LA)
• Research Assistant, BMI (NY)
• Sr. BI Analytics Application Developer, BMI (NA)
View All Jobs ![]() US Copyright Office U.S. Copyright Office, Subscriber Notice Digital Music News TikTok Goes After Source Code Leak with DMCA Takedowns BMI Events: NAMM Believe in Music Week: VIRTUAL More News ![]() • First Stream Latin: New Music From Manuel Turizo & Wisin Y Yandel, Maria Becerra & More
• Jose Feliciano Delivers 50th Anniversary Performance of ‘Feliz Navidad’ on ‘Fallon’
• American Music Awards Adds Three Latin Categories, Matching It With Soul/R&B and Rap/Hip-Hop
• In Celebration Of Hispanic Heritage Month, Billboard's Latin Editors Share Their HHM Playlists
• Bad Bunny, Ozuna and all the Finalists For 2020 Billboard Latin Music Awards
View All Entries ![]() • CASE Act Signed Into Law: What This Means
• Senator Thom Tillis Seeks Suggestions for Reform of Digital Millenium Copyright Act
• Is It Considered Fair Use For A Political Campaign To Use Music Or Other Copyrighted Works?
• Shira Perlmutter Appointed U.S. Register Of Copyrights
• Can My Co-Writer Copy from Our Joint Work?
View All Entries |
![]() |
![]() July 14, 2020Time: 12:00 pm EST
![]()
![]() AIMP Panel![]() Place: View Map ![]() Additional Speaker InformationMark Isherwood spent 18 years working for the MCPS-PRS Alliance (now PRS for Music), the UK music rights collecting society and one of the biggest in the world, in senior management positions. He was responsible for the development of strategies and policies for substantial rights negotiations with a range of licensee industries, including all the major UK television and radio broadcasters and the video industry. Mark has undertaken rights acquisition negotiations for a major pan-European broadcaster, led a team of consultants in a project for the Joint Information Systems Committee (JISC) examining the intellectual property rights (IPR) consequences of using Creative Commons licences in the HE and FE sectors and led a multi-party project for the European Commission assessing the value of the public domain in the digital ecosystem. He was the non-voting Chair of the Global Repertoire Database Working Group from 2010. Mark was involved in the early industry discussions on the creation and development of DDEX and has led the secretariat since DDEX’s incorporation in 2006. |
![]() |
![]()
CSUSA LA presents: Copyright & The California Coast
![]() ![]() ![]() More Events ![]()
Significant 2018 Tax Changes For Music Publishers
View More
Music Royalties 101 (by Todd & Jeff Brabec) View More See all Articles ![]()
MUSIC METADATA A CHAIN REACTION
by P. Gills View Full Post MUSIC DATA, THE MYTHS AND THE REALITIES by P. Gills View Full Post See all Posts ![]()
AIMP Supports The MMA's MLC
In a recently issued joint statement, the Association of Independent Music Publishers officials --National Chair and Los Angeles C …
View More The Music Modernization Act H.R. 1551 (formerly S. 2823), the Orrin G. Hatch-Bob Goodlatte Music Modernization Act: The bill was signed into law on October 11 … View More |